Sans Other Gumi 7 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'MNSTR' by Gaslight, 'Nasional Sans' by Jetsmax Studio, 'Antry Sans' by Mans Greback, 'Hanz' by Santi Rey, 'Amsi Pro' and 'Sans Beam' by Stawix, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, signage, industrial, stenciled, retro, assertive, graphic, display impact, stencil texture, industrial branding, retro poster, cut-in, modular, geometric, compressed, poster-like.
A heavy, compressed sans with a modular, geometric build and conspicuous internal cut-ins that read like stencil breaks. Many strokes are straight-sided and monolinear, with squared terminals and occasional curved bowls that feel tightly contained. The counters are simplified and often partially interrupted by vertical or horizontal notches, producing a segmented rhythm across words. Overall spacing and proportions favor dense, blocky silhouettes with strong vertical emphasis and consistent, engineered shapes.
Well-suited for posters, headlines, branding marks, and packaging where a strong, industrial-stencil personality is desired. It also works for signage and short labels that benefit from dense, high-impact letterforms. For longer passages, it’s better reserved for large sizes or brief callouts to maintain legibility.
The font projects an industrial, utilitarian tone with a retro display flavor—part signage stencil, part Art Deco–adjacent poster lettering. Its interrupted forms create a punchy, mechanical texture that feels bold, confident, and intentionally rugged. The overall voice is attention-seeking and graphic rather than neutral or quiet.
The design appears intended as a display sans that blends compact proportions with a signature stencil-break system to create immediate visual identity. Its simplified geometry and consistent interruptions prioritize bold texture, strong word shapes, and a manufactured, industrial feel in branding-forward settings.
The distinctive cut-in motif is consistent across capitals, lowercase, and numerals, giving text a pronounced striped/segmented pattern at display sizes. Because interior breaks reduce counter clarity, the design reads best when set with generous size and modest tracking, where the stencil-like structure becomes a deliberate visual feature rather than noise.