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Free for Commercial Use

Solid Ahdu 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Compose' by Arkitype and 'Gigans' by Artisticandunique (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, chunky, quirky, punchy, retro, maximum impact, silhouette focus, quirky display, retro signage, graphic branding, rounded, geometric, blocky, soft-cornered, stencil-like.


Free for commercial use
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A heavy, compact display face built from simplified geometric forms with softened corners and broadly rounded curves. Counters are frequently reduced or fully closed, turning many letters into solid silhouettes and giving the alphabet a poster-like, cutout feel. Strokes are uniform and weighty, with crisp joins and occasional wedge-like terminals that add a slightly constructed, stencil-adjacent character. The overall rhythm is tight and dense, prioritizing bold massing over internal detail.

Best suited to bold headlines, short statements, and branding moments where a solid, graphic silhouette is an advantage—such as posters, packaging, labels, event graphics, and logo or wordmark experiments. It can also work for playful editorial callouts or social graphics, but it is less appropriate for long-form reading where interior detail is important.

The font projects a playful, irreverent tone that feels energetic and slightly offbeat. Its filled-in interiors and chunky geometry read as fun and attention-seeking, with a hint of retro signage and toy-like friendliness. The result is confident and loud without relying on high contrast or calligraphic motion.

The design appears intended to maximize visual weight and immediacy by collapsing counters and simplifying letterforms into confident, near-iconic shapes. It aims for a distinctive, novelty display voice that stands out quickly and reproduces well as a solid mark across print and digital contexts.

Because many interior spaces are collapsed, similar shapes (especially round letters and numerals) can look more alike than in conventional sans designs, which increases impact but reduces nuance at smaller sizes. The sample text shows strong word shapes and consistent color, making it best when set with generous spacing and used where silhouette recognition matters more than fine differentiation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸