Inline Hyhu 2 is a regular weight, very narrow, medium contrast, upright, normal x-height font.
Keywords: titles, posters, book covers, branding, packaging, gothic, hand-forged, dramatic, mysterious, archaic, engraved look, thematic display, blackletter echo, dramatic texture, angular, faceted, broken strokes, spiky serifs, chiseled.
A condensed display face with angular, faceted outlines and sharp wedge terminals that read as blackletter-influenced without fully adopting traditional fractur forms. Strokes are interrupted by a consistent interior inline cut that creates a carved, hollowed effect, and many letters show slight irregularities that feel chiseled rather than mechanically drawn. Curves are minimized into straight segments and pointed joins; counters tend to become diamond- or slit-like shapes (notably in O/Q and some numerals). The rhythm is vertical and tight, with tall ascenders/descenders and narrow bowls, producing a tense, high-impact texture in words.
Best suited to headlines, title treatments, and short bursts of copy where the carved inline detailing can be appreciated—such as posters, game or film titles, book covers, and thematic branding. It can also work on labels or packaging for products aiming for an old-world, gothic, or handcrafted aesthetic, especially when set with generous size and spacing.
The overall tone is medieval and ominous, with a crafted, blade-cut character that suggests ritual, fantasy, or horror atmospheres. The inline carving adds a theatrical, engraved look that feels ceremonial and a bit uncanny, pushing the font toward dramatic, poster-like presence rather than neutral text.
The design appears intended to evoke engraved or cut-lettering—an old-world blackletter mood translated into a narrow, modern display structure—using an internal inline cut to add depth and ornament without relying on extra flourishes.
In the sample text, the jagged terminals and internal cut lines create visual sparkle at larger sizes, but the interior detailing can visually merge at smaller sizes or in dense settings. Uppercase forms feel especially emblematic and sign-like, while lowercase retains the same carved vocabulary with a slightly more readable flow.