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Free for Commercial Use

Wacky Ufli 5 is a very bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, album art, event flyers, game titles, chaotic, playful, gritty, punk, diy, attention-grabbing, distressed effect, handmade feel, offbeat branding, textural display, distressed, fragmented, stencil-like, rough-cut, handmade.


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A very heavy display face with irregular, broken silhouettes that read as cut, cracked, and reassembled. Strokes are chunky and mostly straight-sided, but edges wobble and corners chip, creating sharp notches and occasional small interior voids. Many letters show split-like gaps and uneven joins that interrupt counters and terminals, producing a deliberately disrupted rhythm. Proportions vary from glyph to glyph, with a slightly unstable baseline feel and inconsistent widths that amplify the collage-like texture in text.

Best used for short, high-impact settings such as posters, headlines, cover art, and promotional graphics where texture and attitude are the priority. It can also work for titles in games or video content that want a rough, eccentric voice. Avoid small text and long paragraphs; the fragmented details and uneven widths are most effective at display sizes.

The overall tone is mischievous and unruly, combining a loud poster weight with a distressed, scavenged surface. It suggests a handmade or improvised aesthetic—energetic, a bit abrasive, and intentionally imperfect—suited to attention-grabbing, offbeat messaging rather than quiet reading.

The design appears aimed at creating a bold, one-off voice through controlled irregularity—mixing sturdy letter skeletons with deliberate fractures and cutout-like interruptions. The intention is to deliver immediacy and character, making text feel hand-altered and visually noisy in a purposeful way.

Uppercase forms tend to be more blocky and emblematic, while lowercase introduces more idiosyncratic shapes and narrower constructions, increasing the sense of unpredictability. Counters can be partially obstructed by the internal breaks, so legibility benefits from generous sizing and spacing, especially in dense lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸