Sans Other Kodis 3 is a bold, narrow, monoline, italic, tall x-height font visually similar to 'Art Topic JNL' by Jeff Levine and 'Rotundus' and 'Rotundus Rounded' by dayflash (names referenced only for comparison).
Keywords: posters, headlines, sports branding, logos, packaging, sporty, industrial, retro, assertive, energetic, high impact, space saving, motion, branding, display clarity, rounded corners, condensed, slanted, square curves, tight spacing.
A condensed, forward-slanted sans with uniform stroke weight and a compact, vertical build. Letterforms are constructed from straight stems and squarish curves with rounded corners, creating a slightly “engineered” outline rather than purely geometric circles. Apertures are generally tight, counters are compact, and terminals often end in blunt cuts, giving the design a dense, high-impact rhythm. Uppercase and lowercase share a consistent, streamlined skeleton, while figures follow the same narrow proportions and simplified, blocky shapes for strong consistency in headlines.
Best suited for headlines, posters, and branded phrases where compact width and strong presence are an advantage. It can work well for sports and motorsport-style identity, product packaging, badges, and short UI labels that need energy and emphasis. For longer passages, the tight apertures and condensed rhythm suggest using larger sizes and generous line spacing.
The overall tone feels fast and purposeful, with a sporty, industrial edge reminiscent of painted signage or performance branding. The slant and condensed stance add urgency and motion, while the rounded corners keep it approachable rather than harsh. It reads as confident and energetic, suited to attention-grabbing display work.
The font appears designed to deliver a high-impact, space-efficient italic voice that feels technical and in-motion. Its squared curves, rounded corners, and uniform strokes prioritize consistency and bold clarity, aiming for a distinctive display sans that stands out in branding and headline contexts.
Round letters such as O/C/G and the lowercase bowls lean toward squared ovals, and several forms show subtle asymmetries that enhance a handmade, utilitarian character. The design maintains a cohesive texture across mixed-case settings, with punctuation and numerals matching the same sturdy, compact voice.