Sans Superellipse Utrug 6 is a bold, very wide, low contrast, upright, tall x-height font visually similar to 'PT Winkell Pro' and 'Winkell' by Paavola Type Studio (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, gaming ui, futuristic, techy, industrial, sporty, retro sci‑fi, impact, modernity, tech styling, display clarity, rounded corners, squared curves, stencil-like, extended, geometric.
A chunky geometric sans built from rounded-rectangle and superellipse shapes, with broad proportions and generously rounded corners. Strokes are uniform and heavy, with many counters formed as inset “windows,” giving several letters and numerals a cut-out, stencil-like feel (notably in E, B, 8, and 9). Curves tend to flatten into straight segments before turning, producing squared bowls and squarish rounds rather than true circles. Terminals are typically blunt, spacing is open for the weight, and the overall rhythm favors large, stable silhouettes with clear interior apertures.
Best suited to headlines and short-form settings where the distinctive cut-out counters and squared curves can read clearly. It works well for logos, posters, packaging, sports or esports branding, and on-screen UI elements that want a sci‑fi or industrial flavor. In dense paragraphs, the strong shapes and internal cut-outs may become visually busy, so generous size and spacing help.
The design reads as futuristic and utilitarian, with a display-forward, engineered tone. Its softened corners keep it approachable, but the squared geometry and inset counters push it toward sci‑fi interfaces, sports titling, and tech branding.
The font appears designed to deliver a bold, modern display voice by combining wide, rounded-rectangular geometry with inset counters that create a technical, modular signature. The consistent, low-detail construction prioritizes strong silhouettes and immediate impact in branding and titling contexts.
Uppercase and lowercase share a cohesive boxy construction, with a high, prominent x-height that keeps lowercase forms compact and assertive. Diagonals are used sparingly and feel structural (as in K and R), while rounded-rectangle counters give the text a distinctive, modular texture at larger sizes.