Print Puboy 8 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'Panton Rust' by Fontfabric, 'Frankly JNL' by Jeff Levine, 'The Pincher Brothers' by Larin Type Co, and 'Point Panther' by Sarid Ezra (names referenced only for comparison).
Keywords: headlines, posters, packaging, children’s media, stickers, playful, friendly, handmade, chunky, bouncy, informality, approachability, high impact, handmade feel, cheerful tone, rounded, soft, cartoonish, quirky, blobby.
A very heavy, rounded hand-drawn print with compact counters and a softly blobby silhouette. Strokes maintain an overall even weight while showing subtle organic wobble and slightly irregular curves, giving the letters a drawn-on look without becoming messy. Terminals are generally rounded and softened; bowls and shoulders are full and inflated, and many joins feel gently tapered or pinched as if made with a marker. Spacing and widths vary a bit from glyph to glyph, creating an animated rhythm while remaining legible at display sizes.
Best suited to display contexts such as headlines, posters, packaging, labels, and attention-grabbing social graphics. It’s a strong fit for children’s media, playful branding, and craft or food-themed applications where a friendly handmade voice is desired. In longer passages, larger sizes and generous line spacing help preserve clarity.
The font reads warm and approachable, with a playful, kid-friendly tone that feels casual and handcrafted. Its chunky forms and soft corners suggest humor and friendliness rather than precision or formality, making it feel lively and personable in headlines.
The likely intention is to provide a bold, informal, hand-rendered print that delivers immediate impact while keeping an approachable, humorous personality. It appears designed to mimic marker-drawn lettering with consistent heft and soft, rounded geometry for high visibility in display typography.
The design’s dense black color and small inner counters can fill in at small sizes, so it tends to perform best when given room and used in short bursts. The numeral set matches the same rounded, weighty style, supporting cohesive titling and bold callouts.