Sans Faceted Miba 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Bio Sans' and 'Bio Sans Soft' by Dharma Type, 'Panton Rust' by Fontfabric, 'Konsens' by Hubert Jocham Type, 'Foundry Gridnik' and 'Foundry Monoline' by The Foundry, and 'Raker' by Wordshape (names referenced only for comparison).
Keywords: headlines, logos, sports branding, posters, packaging, industrial, athletic, techy, rugged, retro, impact, geometric styling, industrial feel, retro tech, octagonal, chamfered, angular, blocky, stencil-like.
A heavy, geometric sans with faceted construction: curves are largely replaced by straight segments and clipped corners, producing octagonal counters and chamfered joins. Strokes read largely uniform, with squared terminals and a compact, sturdy silhouette. The uppercase set feels particularly engineered and sign-like, while the lowercase maintains the same angular logic with simplified forms and occasional stepped diagonals. Numerals follow the same cut-corner pattern, keeping a consistent rhythm across alphanumerics.
Best suited to display settings where its chamfered geometry can read clearly—such as headlines, posters, sports and team branding, product packaging, and bold UI labels. It can also work for short blocks of text or signage-style applications where a sturdy, engineered tone is desired.
The overall tone is tough and functional, with a sporty, industrial edge. Its sharp facets and blunt geometry evoke machinery, athletic lettering, and retro-digital styling rather than softness or elegance.
The design appears intended to translate a robust sans skeleton into a faceted, cut-metal aesthetic, prioritizing impact and a consistent angular motif over roundness. The goal seems to be a distinctive, highly legible display voice that reads as technical, athletic, and durable.
The faceting is applied consistently across rounds (e.g., O/Q/0/8) and diagonals (e.g., A/V/W/Y), creating a cohesive modular feel. Tight interior shaping and strong verticals give it high presence in headlines and marks, while the angular detailing becomes a defining texture at larger sizes.