Sans Normal Menuw 13 is a very bold, wide, medium contrast, italic, tall x-height font visually similar to 'Faculty' by Device, 'Passenger Sans' by Indian Type Foundry, 'Danos' by Katatrad, 'Plau Redonda' by Plau, 'TT Norms Pro' by TypeType, and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, social graphics, sporty, punchy, playful, retro, confident, attention grabbing, dynamic emphasis, friendly impact, retro display, slanted, rounded, bulky, soft corners, high impact.
A heavy, right-slanted sans with rounded, swollen forms and smooth, continuous curves. Counters are compact and often circular, while terminals are blunt and slightly softened, giving the shapes a molded, almost inflated feel. The design emphasizes strong horizontal breadth and steady stroke presence, producing a dense texture and tight interior spaces, especially in letters like a, e, and s. Overall spacing and rhythm read as headline-oriented, with sturdy silhouettes and minimal fine detail.
Best suited for short, high-impact text such as headlines, posters, storefront-style signage, and promotional graphics. It can work well for sports or action-oriented branding, packaging callouts, and social media visuals where a bold, energetic tone is desired. For longer passages, it will be more effective in large sizes with generous leading due to its tight counters and dense typographic color.
The tone is bold and energetic, with a friendly, extroverted voice. Its rounded geometry and strong slant suggest speed and motion, while the chunky proportions keep it approachable rather than severe. The result feels sporty and promotional, leaning toward retro display attitudes seen in signage and advertising.
The font appears designed to deliver maximum visual punch with a fast, forward-leaning stance and rounded, friendly construction. It prioritizes strong silhouette recognition and a dynamic rhythm over fine-detail readability, aiming to feel modern, athletic, and attention-grabbing in display applications.
Round characters like O and 0 appear very similar in construction, and the numerals share the same chunky, forward-leaning stance as the letters. The design’s compact apertures and dense color can reduce clarity at small sizes, but it holds together well when given room to breathe in larger settings.