Sans Other Tina 2 is a light, very narrow, monoline, upright, short x-height font.
Keywords: sci-fi ui, display titles, posters, branding, tech signage, technical, futuristic, minimal, architectural, retro digital, tech aesthetic, grid construction, retro futurism, distinctive display, angular, condensed, geometric, open counters, high contrast shapes.
A sharply constructed, linear sans with a strongly geometric skeleton and crisp right angles. Strokes maintain an even, hairline weight, while corners often break into chamfers and stepped joins, giving many curves a faceted, polygonal feel. Proportions are tall and tightly set, with narrow apertures and compact bowls; circular letters like O and Q read as squarish ovals, and diagonals (K, V, W, X, Y) are drawn with clean, economical intersections. The lowercase follows the same engineered logic, with small, boxy counters and restrained terminals that keep the texture airy but precise.
Best suited to display contexts where its narrow, angular construction can read as a deliberate stylistic choice—such as sci‑fi interface graphics, technology-themed posters, game titles, or identity marks. It can also work for short labels or signage where a sleek, constructed look is desired, while longer passages will benefit from generous size and spacing to preserve clarity.
The overall tone is clinical and tech-forward, evoking schematics, digital readouts, and retro-futurist signage. Its disciplined geometry and sharp joints feel intentional and engineered rather than expressive or handwritten, lending a cool, synthetic character.
The design appears intended to translate a modernist, grid-based construction into a distinctive techno display voice—prioritizing crisp geometry, consistent stroke logic, and a retro-digital sensibility over conventional text ergonomics.
Several glyphs lean on distinctive cut-ins and angular “bites” (notably in S, G, and some diagonals), which increases personality but can also reduce instant familiarity at smaller sizes. Numerals are similarly constructed with squared curves and hard turns, creating a consistent, system-like rhythm across text and figures.