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Sans Superellipse Ogrid 8 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bricked' by Cristian Mielu, 'Curtain Up JNL' by Jeff Levine, and 'Buyan' by Yu Type (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, retro, industrial, playful, posterish, utilitarian, impact, compact set, retro display, friendly strength, rounded, condensed, blocky, monoline, soft corners.


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A condensed, monoline sans built from rounded-rectangle geometry, with consistently softened corners and largely straight-sided curves. Strokes are heavy and even, terminals are blunt, and counters tend to be tall and narrow, giving the design a compact, vertical rhythm. The lowercase is simple and sturdy, with minimal modulation and a pragmatic, signage-like construction; figures share the same squared-off, rounded-corner logic for strong visual consistency.

Best suited to headlines, posters, packaging, and signage where a compact width and strong, even stroke can carry impact. It also works well for short brand marks or labels that benefit from a sturdy, rounded-rect aesthetic, while longer passages may require generous tracking and line spacing to maintain clarity.

The overall tone feels retro-industrial and slightly playful, like mid-century display lettering adapted for modern, clean reproduction. Its compact forms and rounded corners balance toughness with friendliness, producing a confident, attention-getting voice without sharpness.

The design appears intended to deliver a condensed, high-impact sans with softened geometry—prioritizing bold presence and consistent rhythm over delicate detail. Its rounded-rectangle construction suggests a deliberate nod to vintage display and industrial labeling styles while staying clean and straightforward.

The narrow internal spaces and dense stroke weight create strong color in lines of text, especially in all-caps settings. The rounded-rectangle skeleton reads clearly at larger sizes, where the distinctive squarish curves and condensed proportions become a defining stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸