Sans Normal Jebuf 11 is a bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Fusion Collection' by Blaze Type, 'ITC Blair' by ITC, and 'JHC Mirko' by Jehoo Creative (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, techy, confident, dynamic, modern, impact, speed, modernity, display, oblique, expanded, geometric, streamlined, industrial.
This typeface presents a broad, slanted sans construction with sturdy strokes and smooth, rounded joins. Curves are drawn with a geometric, ellipse-based logic, while terminals are clean and largely unadorned, keeping the texture crisp at display sizes. The proportions are notably extended, giving letters generous horizontal presence, and the oblique angle adds forward motion without introducing calligraphic modulation. Numerals and capitals share the same wide stance and firm rhythm, producing a strong, even typographic color across lines.
Best suited to headlines and short-form typography where its wide, slanted shapes can act as a visual signature. It works well for branding systems that want a sense of speed or strength, including sports and fitness communication, product logos, packaging, and promotional graphics. For longer passages, it is likely most comfortable at larger sizes with generous line spacing to avoid a heavy, continuous texture.
The overall tone is fast, assertive, and contemporary—suggesting motion, performance, and modern engineering. Its wide footprint and pronounced slant communicate energy and confidence, with a slightly futuristic, equipment-and-interfaces feel rather than a literary or traditional voice.
The design appears aimed at delivering a bold, motion-driven sans voice with geometric roundness and extended proportions. It prioritizes impact and immediacy, using width and slant to create a distinctive, modern presence in display settings.
Counters tend to be open and rounded, helping maintain clarity despite the compact vertical feel created by the extended width. The sample text shows a dense, impactful line presence, where the slant and width become part of the identity and are most effective when used with ample horizontal space.