Sans Normal Jebuf 2 is a bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Aksen' and 'Makro' by Tokotype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, confident, modern, energetic, impact, speed, attention, modernity, clarity, rounded, slanted, geometric, compact, punchy.
A heavy, right-slanted sans with wide proportions and softly rounded geometry. Curves are built from smooth ellipses and circular counters, while terminals appear clean and mostly blunt, giving the letterforms a solid, continuous rhythm. Uppercase shapes read broad and stable, with open apertures (notably in C, G, S) and simplified, geometric construction. The lowercase maintains a straightforward, single-storey feel where applicable, with rounded bowls and a clear, compact join behavior; the dot on i/j is circular and prominent. Numerals follow the same wide, rounded logic, with an especially open, elliptical 0 and sturdy, simplified strokes throughout.
Best suited to display roles such as headlines, posters, branding marks, and packaging where a strong, wide italic presence helps convey speed and impact. It can also work well for sports and automotive-style communications, event graphics, and short promotional copy where bold rhythm and high immediacy are priorities.
The overall tone is fast and assertive, with a forward-leaning stance that suggests motion and immediacy. Its chunky width and rounded forms keep the feel friendly rather than harsh, balancing strength with approachability. The look lands in a contemporary, performance-oriented space—confident, bold in voice, and designed to grab attention quickly.
The design appears intended to deliver a modern, energetic italic voice with broad, rounded shapes that stay legible and cohesive at large sizes. By combining smooth geometric curves with sturdy strokes and wide proportions, it aims to project momentum and confidence while remaining approachable.
The slant is consistent across caps, lowercase, and figures, and the spacing feels designed to hold together in large sizes where the wide forms can breathe. Rounded counters and smooth curves dominate, while diagonals (as in K, V, W, X, Y, Z) are straight and crisp, adding contrast in texture without introducing sharp detailing.