Sans Faceted Fiju 2 is a regular weight, wide, low contrast, italic, normal x-height font.
Keywords: logos, posters, headlines, packaging, game ui, edgy, futuristic, playful, techy, hand-drawn, distinctive display, geometric edge, sci-fi tone, logo character, angular, faceted, chiseled, polygonal, crisp.
A sharply faceted sans with polygonal construction throughout, replacing curves with short straight segments and pointed joins. Strokes keep an even, low-contrast thickness, while the glyphs lean consistently, creating an energetic rightward slant. Counters tend to be angular and slightly irregular, and terminals often end in crisp, cut-off angles rather than softened finishes. Overall proportions read on the wider side, with a steady x-height and a lively, variable rhythm that feels more drawn than mechanically rigid.
Best suited for logos, headlines, posters, and packaging where a bold geometric voice is an asset. It can also work well for game or tech-themed UI labels and short callouts, especially when you want an angular, faceted look that stands apart from conventional italics. For extended reading, it is likely most effective in short bursts or at larger sizes.
The font conveys a tech-forward, edgy tone with a playful, comic-like momentum. Its faceted geometry suggests cut metal, crystal, or low-poly surfaces, giving it a contemporary, slightly sci-fi flavor. The slanted stance and irregular facets add a casual, expressive feel rather than a strictly engineered one.
The design appears intended to translate an italic sans into a faceted, low-poly aesthetic—maintaining familiar sans proportions while giving every curve a crystalline, planar treatment. It prioritizes character and texture over neutrality, aiming for a distinctive display presence with a techy edge.
Distinctive polygonal rounds (notably in O/0 and related forms) and a mix of straight and kinked diagonals create a strong visual signature. The sample text shows good word-shape continuity at display sizes, though the frequent angles and pointed joins make the texture busy in longer passages.