Sans Faceted Idros 4 is a very light, wide, medium contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, editorial, packaging, minimalist, airy, modern, precision, display elegance, geometric clarity, modern branding, minimal tone, constructed forms, monoline, geometric, open counters, circular bowls, extended proportions.
A monoline sans with extremely thin strokes and generous internal space. Letterforms lean strongly geometric: circular bowls and rounded corners are paired with long, straight terminals and a restrained, constructed feel. The uppercase shows simplified, wide-set structures with clean horizontals and verticals, while diagonals (V, W, X, Y) stay crisp and evenly weighted. The lowercase keeps a straightforward skeleton with round o/c/e forms and tall, slim stems; joins and shoulders are smoothed rather than calligraphic. Numerals follow the same linear discipline, with open, rounded figures and light, even rhythm across the set.
Best suited to display settings such as headlines, wordmarks, posters, and editorial titling where the thin stroke can be supported by ample size. It can add a premium, minimal tone to packaging and product identities, and works well for short, carefully spaced UI or presentation titles when rendered large enough to preserve its hairline details.
The overall tone is refined and quiet, communicating modernity through restraint and precision. Its hairline weight and spacious geometry feel architectural and gallery-like, giving text a delicate, airy presence that reads as contemporary and design-forward rather than utilitarian.
The design appears intended to deliver a highly reduced, geometric sans voice with a deliberately delicate stroke and a constructed, planar sensibility. It prioritizes elegance, openness, and a consistent modular rhythm, aiming for contemporary display use where lightness and precision are the primary attributes.
Spacing and proportions emphasize openness: counters are large, curves are broad, and strokes remain consistently thin at joins and terminals. The design’s clarity relies on size and contrast rather than stroke mass, so it presents best where the fine lines can stay intact.