Sans Superellipse Hodog 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bio Sans' and 'Bio Sans Soft' by Dharma Type, 'Brignell Square' by IB TYPE Inc., 'PG Gothique' by Paulo Goode, 'Otoiwo Grotesk' by Pepper Type, 'Frygia' by Stawix, 'Duran' by The Northern Block, and 'Palo' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, modern, confident, playful, impact, approachability, clarity, modernity, rounded, blocky, soft-cornered, geometric, compact.
This typeface uses heavy, even strokes with squared-off construction softened by rounded corners. Curves are built from superellipse-like shapes, producing broad bowls and smooth joins that stay consistent across the alphabet. Counters are relatively tight and apertures tend to be small, giving the design a compact, poster-oriented density. The uppercase reads sturdy and architectural, while the lowercase keeps the same chunky rhythm with simple, single-storey forms and straightforward terminals. Numerals follow the same blocky logic, with thick, stable silhouettes and minimal internal space.
Best suited for short-form display settings where bold shapes and a compact rhythm help text hold the page—such as headlines, campaign graphics, logos/wordmarks, packaging fronts, and signage. It can also work for UI labels or badges when you want a friendly but forceful presence, especially at medium-to-large sizes.
The overall tone is assertive and high-impact, but the rounded geometry keeps it approachable rather than harsh. It feels contemporary and energetic, with a slightly playful, game-like solidity that suits attention-grabbing messaging.
The design appears intended to deliver maximum visual impact through thick strokes and rounded-rectilinear forms, balancing strength with approachability. Its consistent geometry suggests a focus on clean, modern branding and display typography where recognizability and punch matter more than delicate detail.
At larger sizes the uniform weight and rounded-square curves create a strong, cohesive texture; in longer lines, the tight counters and small apertures can make the color feel dense. The punctuation and diacritics shown remain bold and prominent, matching the font’s headline-first personality.