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Sans Superellipse Karu 3 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'AG Book W1G' by Berthold, 'FF Good' by FontFont, 'PODIUM Sharp' by Machalski, and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, sportswear, packaging, brand marks, sporty, impactful, confident, energetic, industrial, grab attention, convey speed, maximize density, stay legible, rounded, compressed, blocky, oblique, ink-trap.


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A heavy, oblique sans with compact, squared-off proportions and consistently rounded corners. The stroke weight is dense and even, with small apertures and tight counters that create a solid, poster-like texture. Curved letters lean toward superelliptical shapes (notably in O/Q and C/G), while diagonals in A/V/W/X are stout and brisk. Many joins show subtle notches and cut-ins that read like ink-trap-style detailing, helping internal spaces stay open at bold sizes. Numerals are similarly robust and simplified, matching the alphabet’s strong, uniform rhythm.

Best suited to high-impact display settings such as sports branding, event posters, punchy editorial headlines, and packaging where bold presence is needed. It can also work for short UI labels or signage when set large enough to preserve counter clarity, especially in all-caps or short wordmarks.

The overall tone is forceful and athletic, with a forward-leaning stance that suggests speed and momentum. Its rounded geometry softens the aggression slightly, keeping the feel modern and approachable rather than sharp or technical. The dense color and tight counters give it a confident, attention-grabbing voice.

Likely intended as a modern, high-impact display sans that combines speed-forward slant with rounded, superelliptical construction for a friendly but powerful silhouette. The small cut-ins at joins suggest an effort to maintain legibility and definition in a very heavy weight, especially in tight, compact letterforms.

The design favors compact openings and short terminals, which increases punch in headlines but can make small-size text feel crowded. The lowercase maintains a sturdy, workmanlike build with single-storey forms where applicable and a compact, upright-to-oblique rhythm that stays consistent across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸