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Stencil Gyma 7 is a bold, very narrow, monoline, upright, tall x-height font visually similar to 'Tradesman' by Grype and 'Kuunari' by Melvastype (names referenced only for comparison).

Keywords: posters, headlines, signage, labels, packaging, industrial, utilitarian, authoritative, technical, retro, space-saving impact, stencil authenticity, industrial branding, labeling clarity, condensed, blocky, mechanical, angular, high-contrast gaps.


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A condensed, all-caps-forward sans with heavy, uniform strokes and pronounced stencil interruptions. The letterforms are tall and tightly fit, with squared shoulders, clipped curves, and frequent vertical emphasis that creates a rigid, engineered rhythm. Counters are compact and often partially closed by bridges, producing distinctive internal notches in shapes like O, P, R, and e. Terminals are mostly flat and abrupt, and the overall silhouette reads as a series of strong vertical slabs punctuated by consistent cut-ins and gaps.

This face suits display applications where a compact, high-impact wordmark is needed—posters, headers, wayfinding, product labeling, and industrial-themed packaging. It can also work for UI or graphics that mimic stamped or cut stencil systems, especially when set in short lines where the distinctive breaks remain legible.

The tone is industrial and utilitarian, suggesting labeling, equipment markings, and no-nonsense signage. Its strict geometry and repetitive stencil breaks add a militaristic, technical flavor, while the narrow stance keeps it tense and urgent. Overall it feels assertive and functional rather than friendly or expressive.

The design appears intended to deliver maximum impact in minimal horizontal space while retaining the unmistakable cues of stencil construction. By pairing tall proportions with consistent bridges and squared geometry, it aims for a durable, machine-made aesthetic that reads quickly and feels purpose-built for marking and identification.

The stencil bridges are substantial and highly visible, remaining clear even at larger display sizes and giving many letters a segmented, modular look. Numerals follow the same compressed, blocky construction, with 0 and 8 especially defined by internal breaks. Spacing in the samples appears compact, reinforcing a dense, poster-like texture in lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸