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Free for Commercial Use

Sans Normal Bimoy 5 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Neue Haas Grotesk Text', 'Neue Haas Unica', and 'Neue Haas Unica Paneuropean' by Linotype; 'Helvetica Now' by Monotype; and 'Reyhan' by Plantype (names referenced only for comparison).

Keywords: branding, ui text, signage, headlines, posters, modern, clean, neutral, corporate, friendly, versatility, legibility, modernity, neutral tone, grotesque, geometric, rounded, open counters, high legibility.


Free for commercial use
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A solid, contemporary sans with a confident, even rhythm and largely geometric construction. Round letters are close to circular with smooth, continuous curves, while straight stems and crossbars keep a crisp, engineered feel. Terminals are mostly flat and squared, with minimal stroke modulation and generous interior counters that help clarity at size. The lowercase shows a single-storey “a” and “g”, compact, tidy joins, and a straightforward, functional punctuation style in the sample text.

Works well for brand systems, product interfaces, and wayfinding where quick recognition and consistent texture are important. The sturdy forms also suit short headlines and promotional copy, especially when a clean, contemporary sans is needed without looking overly technical.

The overall tone is modern and matter-of-fact, projecting clarity and reliability rather than personality-driven quirks. Its rounded forms add a mild friendliness, while the sturdy weight and clean endings keep it authoritative and professional.

The design appears intended as a versatile, general-purpose sans that balances geometric roundness with practical readability. It aims to deliver a dependable, modern voice that holds up in both display settings and dense text blocks.

Capitals read strong and stable, with wide, open bowls and consistent curve logic across C/G/O/Q. Numerals are simple and highly readable, with round figures that match the letterforms and a clear distinction between similar shapes (e.g., 0 vs 1) driven by proportion and contour rather than ornament.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸