Sans Superellipse Unma 11 is a very bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, posters, logos, sports branding, gaming ui, futuristic, techy, industrial, sporty, sci‑fi, high impact, modern tech, display branding, geometric consistency, interface feel, rounded corners, squared curves, extended, blocky, geometric.
A heavy, extended sans built from squared curves and rounded-rectangle counters, giving most letters a superelliptical, machined silhouette. Strokes are largely uniform, with softened outer corners and mostly straight terminals; joins are crisp and angular where diagonals meet. The proportions emphasize width and presence, with compact apertures and counters that stay open through large, boxy interior shapes (notably in O, D, P, and 0). Lowercase forms echo the caps with simplified constructions and a high, sturdy rhythm; the numerals follow the same rounded-square logic, producing a cohesive, modular texture in lines of text.
This font works best for bold headlines, posters, and logo marks where its wide stance and rounded-square construction can project strength and modernity. It is also well suited to esports/sports branding, game titles, tech packaging, and interface-style display text that benefits from an industrial, futuristic texture.
The overall tone feels futuristic and engineered, with a confident, high-impact voice that reads as tech-forward and performance-oriented. Its rounded-square geometry suggests digital interfaces and hardware design while keeping a friendly softness at the corners.
The design appears intended to translate a rounded-rectangle, digital-industrial motif into a readable display sans, balancing hard geometry with softened corners for a modern, approachable sci‑fi feel. It prioritizes impact and graphic consistency across letters and numbers over delicate detail, aiming for strong presence in short text settings.
Distinctive details include an angular, cut-in S with segmented horizontals, a squared, inset counter in O/0, and a compact, geometric treatment of curved letters like G and e. The extended width and dense black shapes create strong signage-style color, best suited to larger sizes where the squared apertures and interior cut-ins remain clear.