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Distressed Itler 1 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Alamia' by Ani Dimitrova, 'Prenton RP' by BluHead Studio, 'EquipCondensed' by Hoftype, 'Paradigm' and 'Paradigm Pro' by Shinntype, and 'Ligurino' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, logos, rustic, playful, vintage, bold, handmade, printed texture, retro signage, tactile grit, display impact, slab serif, woodtype, inked, roughened, blunt.


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A heavy slab-serif display face with chunky, rounded forms and blunt terminals. Strokes show noticeable roughening and bite-like irregularities along edges and in counters, creating a worn print texture. Serifs are short and blocky with soft joins, and the letterforms lean toward compact, sturdy silhouettes rather than delicate detail. Overall spacing feels moderately open for the weight, with a lively, slightly uneven rhythm caused by the distressed contours and varied interior shapes.

Best suited to display settings such as posters, headlines, and short punchy copy where the texture can be seen. It also fits branding applications like logos, packaging, labels, and merchandise graphics that want a bold, vintage-printed feel. For longer text, it will work most comfortably at larger sizes where the distressed edges don’t visually fill in.

The font reads as rugged and approachable, with a nostalgic, workshop-made character. Its distressed texture adds grit and tactility, evoking old posters, stamped packaging, or imperfect ink on paper. Despite the roughness, the shapes remain friendly and legible, giving it an energetic, folksy tone.

The design appears intended to mimic bold letterpress or woodtype printing with intentional wear, combining sturdy slab-serif structure with a tactile, imperfect surface. It prioritizes impact and character over pristine geometry, aiming to deliver a strong, themed display voice that feels printed and lived-in.

The distressing appears consistent across the set, suggesting a deliberate rough-print effect rather than random noise. Round characters (like O/Q/0) stay robust and full, while diagonals (V/W/X) maintain strong, broad strokes that keep the texture from breaking readability at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸