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Free for Commercial Use

Sans Normal Sudat 12 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'EF Radiant' by Elsner+Flake, 'Epoca Classic' by Hoftype, 'Koning Display' by LucasFonts, 'MC Attrey' by Maulana Creative, 'Skeena' by Microsoft Corporation, 'Ocean Sans' by Monotype, and 'Artigua' by Picador (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, packaging, confident, modern, friendly, punchy, clean, impact, clarity, approachability, modernity, rounded, geometric, sturdy, open, crisp.


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A heavy, rounded sans with smooth elliptical curves and clear, open counters. Strokes are assertive with noticeable thick–thin modulation, especially in curves and joins, giving the forms a slightly sculpted look rather than a purely monoline build. Terminals are generally clean and squared-off, while bowls and shoulders stay generously rounded, creating a stable, contemporary rhythm. Uppercase proportions feel solid and compact, while lowercase maintains straightforward, utilitarian shapes with a single-storey a and a simple g, keeping texture even in paragraph settings.

This font is well-suited to headlines, logos, and brand systems where strong presence and clean geometry are needed. It should perform effectively for posters and signage thanks to its open counters and simplified shapes, and it can also support short to medium blocks of text when a bold, modern voice is desired.

The overall tone is confident and contemporary, with a friendly softness from the rounded geometry. The strong weight and crisp edges make it feel energetic and attention-forward without becoming decorative. It reads as practical and modern, suited to bold, direct messaging.

The design appears intended to provide a modern, approachable sans with strong impact, combining rounded geometric construction with crisp terminals and subtle modulation for added character. It aims for high legibility and a confident visual footprint in display-driven applications.

The numerals appear clear and sturdy, with round forms (0, 8, 9) emphasizing the typeface’s circular construction. Diacritics and punctuation shown in the sample text (such as the apostrophe and ampersand) match the same robust, simplified styling, maintaining consistency at larger display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸