Sans Faceted Nybi 2 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Qargotesk 4F' by 4th february, 'Navine' by OneSevenPointFive, 'Amsi Grotesk' by Stawix, 'Gemsbuck Pro' by Studio Fat Cat, 'Nuber Next' by The Northern Block, and 'From the Internet' by Typodermic (names referenced only for comparison).
Keywords: sports branding, headlines, posters, signage, packaging, industrial, athletic, technical, assertive, retro, impact, ruggedness, precision, faceted, angular, chamfered, blocky, octagonal.
A sans with pronounced faceted construction, replacing curves with chamfered corners and short diagonals that create an octagonal, machined look. Strokes are heavy and uniform, with squared terminals and consistently clipped joins across rounds and bowls. Proportions lean tall, with compact apertures and sturdy counters; the lowercase maintains a strong, utilitarian structure and the numerals follow the same cut-corner logic for a cohesive set. Overall spacing and rhythm read steady and dense, prioritizing impact and clear silhouettes over softness.
Well suited to display roles such as sports identities, team numbers, event posters, product packaging, and wayfinding where a rugged, geometric presence is desired. It can also work for UI labels or short emphasis text when a technical, industrial flavor is needed, but its dense forms favor larger sizes for maximum clarity.
The tone is tough and functional, evoking engineered surfaces, signage, and performance branding. Its sharp corners and modular geometry give it a disciplined, no-nonsense voice that feels sporty and industrial with a hint of retro display energy.
Likely designed to deliver a robust, high-impact sans voice with a systematic faceted geometry that stays consistent across letters and figures. The emphasis appears to be on strong silhouettes and a machined aesthetic that communicates durability and precision.
The faceting is applied systematically to both capitals and lowercase, keeping round letters (like C, O, Q) visually consistent with straight-sided forms. The design reads best when its cut corners and interior shapes have enough size to remain distinct, emphasizing a strong, poster-like presence.