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Sans Faceted Mibu 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Kairos Sans' by Monotype, 'PT Filter' by Paavola Type Studio, and 'Motigen' by skillyas studio (names referenced only for comparison).

Keywords: headlines, posters, sports branding, labels, signage, industrial, athletic, techy, sturdy, no-nonsense, impact, durability, geometric branding, machined look, display clarity, chamfered, octagonal, blocky, monolinear, compact.


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A faceted, monolinear sans with chamfered corners that substitute for curves, producing an octagonal, cut-metal silhouette throughout. Strokes are thick and even, with squared terminals and consistent facet angles that keep counters open and geometry disciplined. Capitals feel compact and sign-like, while lowercase follows the same angular logic with simplified bowls and shoulders; the overall rhythm is tight and sturdy, and the numerals match the blocky, segmented construction.

Well-suited to short, high-impact settings like headlines, posters, packaging labels, and environmental or wayfinding-style signage where a rugged, geometric voice is helpful. It can also support sports or motorsport branding and tech-themed graphics, especially when used at medium to large sizes to showcase the faceted detailing.

The sharp facets and uniform stroke weight give a tough, utilitarian tone—more engineered than expressive. It reads as sporty and industrial at once, evoking stenciled equipment markings, scoreboard lettering, and hard-edged tech aesthetics.

The font appears designed to deliver a durable, modern display voice by replacing curves with consistent chamfers, yielding a cohesive octagonal construction that remains legible and assertive. Its emphasis on uniform stroke weight and compact, engineered forms suggests an intent to feel functional and impactful in graphic applications.

The design relies on repeated chamfers at outer corners and in inner counters, creating a coherent “machined” texture in words. Larger sizes emphasize the distinctive planar cuts, while smaller sizes benefit from the generous, squared openings and straightforward letterforms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸