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Free for Commercial Use

Sans Normal Tynoz 5 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Beatrice Deck', 'Beatrice Display', and 'Beatrice Headline' by Monotype and 'Gella Display' by Slava Antipov (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, playful, punchy, friendly, retro, loud, attention, personality, impact, retro flavor, display clarity, rounded, chunky, soft corners, tall caps, tight apertures.


Free for commercial use
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A heavy, rounded sans with compact counters and a strongly graphic, cut-out feel. Curves are built from broad circular forms, while joins and terminals often resolve into soft wedges and clipped angles, creating lively internal shapes. The capitals are tall and dominant, with simplified geometry and relatively tight apertures (notably in C, S, and e), and the lowercase keeps a sturdy, compact rhythm. Numerals are bold and stylized with distinctive notches and cut-ins that reinforce the font’s poster-like texture.

Best suited to display settings where its bold silhouettes and distinctive counters can be appreciated—headlines, posters, packaging, and brand marks. It can work for short emphatic text or large-size editorial callouts, but its tight apertures and decorative cut-ins make it less ideal for long reading or small UI text.

The overall tone is energetic and extroverted, mixing friendly roundness with sharp, attention-grabbing cut details. It reads as retro-leaning and fun rather than neutral, with a confident, headline-first personality.

The font appears designed to deliver maximum impact with a friendly, rounded base, enhanced by sharp internal cut shapes for memorable texture. Its letterforms prioritize recognizability and personality over neutrality, aiming for attention and a retro-modern graphic presence.

The design leans on dramatic negative-space shapes (as in a, g, Q, and the numerals), which adds character but can reduce clarity at smaller sizes. Spacing appears generous for display use, and the weight distribution gives lines of text a strong, blocky silhouette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸