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Free for Commercial Use

Sans Superellipse Jidit 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Magnitudes' by DuoType, 'LHF Advertisers Square' by Letterhead Fonts, 'MC Brakely' by Maulana Creative, 'Amboy' by Parkinson, 'FTY Konkrete' by The Fontry, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, tough, retro, commanding, impact, bold branding, utility, modern retro, blocky, squared, rounded corners, compact, geometric.


Free for commercial use
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A heavy, block-built sans with squared proportions and consistently clipped, chamfer-like corners that soften the silhouette without making it round. Strokes are largely monolinear, producing dense black shapes and tight interior counters, especially in letters like B, P, R, and a. The design leans geometric and modular, with flat terminals, rectangular bowls, and a sturdy baseline; curves appear as rounded-rectangle arcs rather than true circles. Lowercase forms are compact and functional, with single-storey a and g and a simple, upright construction that keeps texture even in long lines. Numerals follow the same squared, built-up logic, emphasizing stability and signage-style clarity.

Best suited to display settings such as headlines, posters, sports identity, bold packaging, and wayfinding or label-style signage. It can also work for short UI labels or badges where a compact, high-impact word shape is desired, but extended small text may feel heavy due to the tight counters.

The overall tone is assertive and utilitarian, with a sporty, industrial edge reminiscent of stenciled labeling, team marks, and arcade-era display lettering. Its weight and squared geometry communicate strength and immediacy, giving headlines a confident, no-nonsense presence.

The design appears intended to deliver maximum impact with a controlled, geometric rhythm—combining a rugged, squared construction with softened corner cuts to keep the forms approachable and consistent across glyphs.

Distinctive corner treatments (angled cuts and rounded-rectangle curves) create a consistent family feel across caps, lowercase, and figures. The type’s dense counters and wide internal joins favor larger sizes, where the angular details and compact apertures read most clearly.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸