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Free for Commercial Use

Distressed Rylu 3 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'HK Nova' by Hanken Design Co., 'Giriton' by Hazztype, 'Madani' and 'Madani Arabic' by NamelaType, 'Gilroy' by Radomir Tinkov, and 'Core Sans C' by S-Core (names referenced only for comparison).

Keywords: posters, headlines, album art, packaging, stickers, grunge, playful, handmade, rugged, casual, worn print, diy texture, tactile display, bold impact, chunky, rounded, blotchy, ink-worn, stamped.


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A heavy, rounded sans with compact counters and a soft, slightly squarish construction. The letterforms are intentionally roughened by distressed edges and scattered interior speckling, creating a worn ink/print effect while keeping overall shapes clear and bold. Strokes feel uneven in a deliberate way, with subtly inconsistent corners and terminals that read more cut or abraded than cleanly geometric. Spacing appears straightforward and the silhouette stays sturdy, making the texture the main differentiator rather than extreme proportions.

Works best for display settings where the distressed texture can be appreciated—posters, headlines, merch graphics, and bold packaging callouts. It’s well-suited to branding moments that want a tactile, printed feel, especially in short phrases, logos, and large-scale typographic treatments.

The texture and chunky silhouettes give the face a gritty, DIY energy that still feels friendly and approachable. It suggests hand-applied ink, screenprint wear, or a stamped surface—more playful than menacing, with a casual, craft-forward attitude.

Likely designed to deliver a bold, readable display voice with an intentionally imperfect, worn surface—capturing the look of aged printing or rough application while maintaining simple, rounded letter shapes for quick recognition.

The distressing is relatively consistent across uppercase, lowercase, and numerals, with small voids and scuffs that become more noticeable at larger sizes. Round characters (O, Q, 0) emphasize the worn interior artifacts, while diagonals and joins (K, V, W, X) show chipped edges that enhance the handmade impression.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸