Sans Contrasted Lelug 3 is a light, normal width, medium contrast, upright, short x-height font.
Keywords: headlines, branding, posters, logotypes, packaging, elegant, stylish, crisp, contemporary, refined, add character, premium feel, display impact, modernize sans, flared terminals, calligraphic, tapered strokes, open counters, rounded forms.
This typeface is a clean, sans-based design with noticeable stroke modulation and tapered, slightly flared terminals that create a subtle calligraphic rhythm. Curves are smooth and generously rounded (notably in C, G, O, and the bowls), while joins and diagonals sharpen into wedge-like points in letters such as K, V, W, X, and Y. The overall texture alternates between sturdy verticals and finer connecting strokes, producing a lively, sculpted silhouette rather than a monoline look. Lowercase forms are compact with relatively small counters and distinct, pointed details on letters like a, g, k, and y, giving the set a distinctive, hand-informed finish while remaining broadly streamlined.
This font is well suited to display settings where its tapered terminals and contrasted strokes can be appreciated—headlines, titles, branding systems, and packaging. It can also work for short editorial pull quotes or subheads, especially when you want a clean sans impression with more character than a purely geometric or monoline option.
The font conveys a refined, slightly dramatic tone—polished and modern, with a hint of Art Deco and editorial sophistication. Its tapered cuts and sharp diagonals add energy and a fashionable edge, while the rounded bowls keep it approachable and smooth.
The design appears intended to bridge a modern sans structure with subtle calligraphic contrast and sharpened terminals, creating a distinctive, premium display voice. Its forms prioritize recognizable silhouettes and stylish detailing to stand out in larger sizes and brand-forward applications.
Round letters stay very circular and open, while several glyphs introduce signature spikes or notches that read as intentional styling rather than ornament. Numerals echo the same language: mostly geometric shapes with occasional sharp terminals (especially the 2, 7, and 9), keeping the overall voice consistent across text and figures.