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Free for Commercial Use

Sans Superellipse Haror 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Protrakt Variable' by Arkitype, 'Air Corps JNL' by Jeff Levine, 'B52' by Komet & Flicker, and 'Qotho' by Scholtz Fonts (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, packaging, techy, industrial, modern, confident, utilitarian, impact, clarity, modernity, efficiency, tech feel, rounded, squared, compact, clean, geometric.


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A heavy, geometric sans with rounded-rectangle construction throughout. Curves resolve into softened corners rather than true circles, giving bowls and counters a squarish, superellipse feel. Strokes are even and sturdy, with compact apertures and short joins that create a tight, blocky rhythm in both uppercase and lowercase. The lowercase uses single-storey forms where applicable (notably “a” and “g”), and many terminals end in blunt, rounded cuts that reinforce the solid, engineered silhouette. Numerals share the same squarish rounding and wide, stable stance, matching the overall dense color on the page.

Best suited to short-to-medium text where a strong, modern presence is desired—headlines, branding systems, product packaging, and wayfinding or labeling. It also works well for UI accents, badges, and technical or sports-adjacent graphics where compact, high-impact letterforms help maintain clarity at a glance.

The overall tone is contemporary and functional, with a distinct techno/industrial edge. Its rounded corners soften the impact of the mass, keeping it approachable while still feeling assertive and machine-made. The tight spacing and compact counters read as efficient and purposeful rather than expressive or calligraphic.

Likely intended to deliver a robust, contemporary sans that feels engineered and space-efficient, using rounded-rectangle geometry to create a distinctive silhouette without sacrificing straightforward readability. The consistent stroke weight and softened corners suggest an emphasis on a friendly-tech aesthetic appropriate for modern display applications.

The font maintains strong visual consistency across letters and figures, with particularly recognizable squarish bowls in characters like C, G, O, and Q. The uppercase forms look designed for sign-like clarity, while the lowercase keeps a similarly compact, sturdy texture in text settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸