Sans Superellipse Feduj 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Air Corps JNL' by Jeff Levine, 'Karnchang' by Jipatype, 'Navine' by OneSevenPointFive, and 'Hype vol 2' by Positype (names referenced only for comparison).
Keywords: sports branding, team identities, performance logos, posters, headlines, sporty, techy, fast, confident, modern, speed cue, high impact, modern branding, utility clarity, oblique, rounded corners, squarish rounds, geometric, compact.
A heavy, oblique sans with squared-off curves and generously rounded corners, giving many bowls and counters a superellipse/rounded-rectangle feel. Strokes are sturdy and even, with minimal modulation, and terminals tend to be flat or softly squared rather than tapered. The overall rhythm is compact and forward-leaning, with wide, open counters in letters like O and e, and a pragmatic, engineered geometry across the set. Numerals and capitals share the same blocky, streamlined construction, producing a cohesive, high-impact texture in text.
Best suited for branding and display work where a strong, kinetic voice is needed—sports and fitness identities, automotive and tech-themed graphics, and bold headline systems. It also works well for short UI labels or product naming where compact, high-contrast-against-background letterforms are desirable, but it will be most convincing at medium-to-large sizes.
The tone is energetic and performance-oriented, with a speed-driven slant and muscular forms that suggest motion and momentum. Its rounded-rect geometry reads modern and technical, evoking motorsport, athletics, and contemporary product branding. Overall it feels assertive and utilitarian rather than delicate or editorial.
The design appears intended to deliver a fast, modern sans voice by combining a consistent oblique stance with robust, rounded-rect construction. Its geometry prioritizes impact and clarity, aiming for an engineered, contemporary feel that stays readable while looking dynamic and brand-forward.
Uppercase shapes emphasize squared shoulders and corners (notably in C/G/O and D), while the lowercase maintains simple, sturdy silhouettes for clear word-shapes at display sizes. The Q features a prominent tail that adds character without breaking the overall industrial consistency, and the figures are large and blocky with rounded interiors that keep them legible in dense settings.