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Free for Commercial Use

Sans Superellipse Albez 14 is a light, normal width, monoline, upright, normal x-height, monospaced font.

Keywords: code, ui, terminal, dashboards, data tables, technical, utilitarian, retro, clean, mechanical, alignment, clarity, system styling, technical tone, screen readability, rounded corners, square-leaning, compact, open counters, stencil-like joints.


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This typeface is built from straight strokes and rounded-rectangle curves, giving letters a squared-off silhouette with softened corners. Curves in C, O, and G read as superelliptical rather than purely circular, while terminals are predominantly flat and horizontal/vertical, producing a crisp, engineered rhythm. The overall texture is even and grid-friendly, with simple construction and minimal modulation, and several forms (notably V/W/Y) use angular joins that emphasize a technical, schematic feel. Numerals follow the same squared-round logic, with a clear, legible set that stays consistent in stroke weight and corner treatment.

Well-suited to contexts that benefit from consistent alignment and a measured, technical voice: coding environments, terminal/console styling, UI labels, dashboards, tables, and system-like interfaces. It also works for compact packaging details, captions, and informational graphics where a neat, engineered texture is desirable.

The tone is functional and instrument-like, evoking terminals, labels, and technical readouts. Its squared rounding and restrained shapes add a subtle retro-computing flavor while staying clean and contemporary. Overall it feels pragmatic, calm, and systematic rather than expressive or decorative.

The design appears intended to provide a highly regular, grid-compatible reading experience with a distinctly technical character. By combining squared proportions with rounded-rectangle curves and restrained detailing, it aims for dependable legibility and a recognizable system-font aesthetic.

The design favors clarity through simplified geometry and open apertures, with a deliberate avoidance of calligraphic traits. Punctuation and diacritics in the sample maintain the same minimal, squared-round language, helping text blocks look orderly and controlled.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸