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Free for Commercial Use

Wacky Donel 1 is a bold, wide, low contrast, italic, tall x-height font visually similar to 'Dividente' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, logos, gaming ui, packaging, sci‑fi, retro tech, energetic, quirky, speedy, futurism, motion, attention, texture, rounded corners, blocky, angular, stencil-like, inlaid counters.


Free for commercial use
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A heavy, forward-leaning display face built from squared, rounded-corner forms with sharp internal cut-ins. Strokes are broadly uniform and tightly engineered, with frequent insets and slot-like counters that create a semi-stenciled, machined look. The rhythm is compact and assertive, with short, clipped terminals, occasional hooked details, and a mix of straight segments and smooth radii that keeps the texture lively in words. Figures and capitals echo the same modular construction, emphasizing squared bowls and notched joins for a cohesive, graphic silhouette.

Best suited to short, high-impact settings where the notched, techno texture can be appreciated—headlines, posters, title cards, and branding marks. It can also work for gaming or sci-fi interface-style graphics and bold packaging callouts, especially when set with generous tracking or ample size to preserve the internal cut details.

The overall tone reads futuristic and kinetic, like lettering for racing, arcade, or space-themed graphics. Its cut-in details and slanted stance add a playful, slightly eccentric attitude that feels experimental rather than traditional. The result is attention-grabbing and theatrical, with a techy edge.

The design appears intended to deliver a distinctive futuristic voice by combining chunky, rounded-rect geometry with deliberate cut-outs and mechanical notches. It prioritizes character and motion over neutrality, aiming for a memorable, stylized texture that signals technology, speed, and playful experimentation.

Distinctive interior shaping (inlaid slots and notches) becomes a prominent pattern in text, producing a strong “industrial” texture at larger sizes. Some glyphs introduce idiosyncratic hooks and asymmetric cuts that enhance the novelty feel and keep repeated letters from looking purely geometric.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸