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Free for Commercial Use

Wacky Donel 4 is a regular weight, wide, low contrast, italic, tall x-height font visually similar to 'Dividente' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, game ui, playful, futuristic, techy, eccentric, edgy, distinctive display, sci‑fi flavor, graphic texture, quirky character, high impact, angular, squared, boxy, stencil-like, geometric.


Free for commercial use
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A slanted, geometric display face built from squared bowls and chamfered corners, with a mostly monoline stroke that stays visually even across curves and straights. Counters tend to be rounded-rectangular, and many joins break into small gaps or notches that create a subtle stencil-like segmentation. The letterforms are wide and tightly engineered, with compact apertures, flattened curves, and a rhythm that mixes rigid horizontals with crisp, angled terminals. Numerals and lowercase echo the same modular construction, producing a consistent, mechanical texture while still feeling intentionally irregular in detail.

Best suited for short, high-impact text such as headlines, poster typography, logos/wordmarks, album or event graphics, and game or tech-themed UI treatments. It can also work for packaging and titles where a quirky futuristic or experimental mood is desired, while long-form reading would benefit from generous size and spacing.

The overall tone is lively and offbeat—like a retro-futurist interface or arcade-era sci‑fi lettering—balancing precision with deliberate quirks. Its notched cuts and squared curvature give it a slightly mischievous, experimental voice that reads as energetic rather than formal.

The design appears aimed at delivering a one-of-a-kind, sci‑fi-leaning display voice through modular geometry, squared counters, and intentional cut-ins that add character. Its construction suggests a focus on strong silhouette and thematic texture over conventional readability, making it ideal for branding and graphic statements.

The segmented strokes and tight openings can make dense text feel busy, especially at smaller sizes, but those same features become a distinctive graphic asset at display sizes. The italic slant and wide stance amplify motion and speed, reinforcing a dynamic, engineered feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸