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Free for Commercial Use

Sans Normal Uhmal 2 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Pelita' by Lafontype; 'SST', 'SST Arabic', and 'SST Vietnamese' by Monotype; 'Interval Next' by Mostardesign; and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: ui text, branding, headlines, signage, editorial, modern, neutral, clean, technical, friendly, clarity, versatility, modernity, systematic design, geometric, open apertures, round counters, crisp terminals, even rhythm.


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This is a clean, geometric sans with largely circular bowls and smooth, continuous curves paired with straight-sided verticals. Strokes are consistent and crisply finished, with squared terminals and minimal modulation, giving the letterforms a steady, even rhythm. Uppercase shapes are broad and stable, with a round O/Q and a compact, simple G; the Q uses a short diagonal tail. Lowercase is straightforward and highly legible, with a single-storey a and g, open apertures (notably in c and e), and a short-armed t that keeps a low profile. Numerals are lining and fairly open, with rounded 0/8/9 and a simple, upright 1 that reads clearly at text sizes.

It suits interface typography and product communications where clean forms and dependable readability are important. The sturdy uppercase works well for headlines and signage, while the open lowercase shapes maintain clarity in short paragraphs and captions.

The overall tone is contemporary and matter-of-fact, aiming for clarity over personality. Its geometric construction adds a subtle technical feel, while the rounded curves keep it approachable rather than stark.

The design appears intended as a general-purpose geometric sans that prioritizes neutral readability and consistent rhythm. Its simplified lowercase construction and crisp finishing suggest an emphasis on modern, versatile usage across display and text contexts.

Spacing and sidebearings appear balanced, producing an orderly texture in paragraph settings. Curves join stems smoothly, and diagonals (V/W/X/Y) feel taut and consistent, reinforcing a precise, engineered look.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸