Sans Other Jiny 1 is a light, very wide, monoline, upright, normal x-height font.
Keywords: sci‑fi titles, tech branding, gaming ui, posters, logotypes, futuristic, techy, minimal, geometric, space-age, distinctive display, tech aesthetic, modular geometry, modern branding, rounded corners, squared curves, open counters, low contrast, modular.
A geometric sans with an extended footprint and a strictly monoline stroke. Curves are drawn as rounded-rectangle arcs rather than true circles, producing squared bowls in letters like O, C, D, and U. Terminals are consistently clean and blunt, with frequent open forms and horizontal apertures (notably in S and G) that emphasize a segmented, constructed feel. The lowercase follows a similarly engineered logic, with simplified joins and a single-storey a, while numerals share the same rounded-rect geometry and generous width for a uniform, technical rhythm.
Best suited for headlines, title cards, posters, and brand marks where its distinctive squared-curved geometry can read clearly. It also fits technology- and gaming-adjacent interfaces for labels and large UI text, provided sizing and spacing allow the open apertures and segmented strokes to remain legible.
The overall tone is futuristic and system-like, with a sleek, sci‑fi flavor that reads as digital and engineered rather than humanist. Its wide stance and modular curvature give it a confident, display-forward presence that feels modern, synthetic, and slightly retro-futurist.
The letterforms appear designed to translate a geometric, machine-made concept into a readable sans, prioritizing a consistent modular construction and a contemporary sci‑fi aesthetic. The repeated rounded-rectangle curves and open counters suggest an aim for a recognizable display voice that still functions as text in short passages.
The design leans on repeated structural motifs—straight horizontals paired with squared arcs—creating strong stylistic coherence across cases and figures. Several glyphs intentionally break conventional continuous curves with cut-ins or openings, which increases character at large sizes but can reduce clarity in dense settings.