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Free for Commercial Use

Wacky Ebbem 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'FF Clan' and 'FF Good Headline' by FontFont, 'Muller Next' by Fontfabric, 'EFCO Colburn' by Ilham Herry, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, event flyers, logotypes, quirky, playful, retro, circus, standout display, humor, handmade feel, poster impact, condensed, chunky, hand-cut, bouncy, blocky.


Free for commercial use
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A condensed, heavy display face with chunky, low-contrast strokes and subtly irregular contours. The letterforms are mostly monolinear but show hand-cut quirks: slightly lumpy edges, asymmetrical bowls, and terminals that flare or taper unevenly. Counters are compact and sometimes pinched, and the rhythm feels intentionally uneven across the set, with small idiosyncrasies in joins and curves that keep the texture lively. Numerals follow the same compact, stout construction, reading clearly at larger sizes with a strong vertical emphasis.

Best suited to display work where a bold, characterful voice is needed—posters, headlines, event flyers, packaging, and attention-grabbing logotypes. It can work for short bursts of text at large sizes, but the compact counters and dense color suggest avoiding long paragraphs or small-size UI use.

The overall tone is mischievous and offbeat, like cut-paper signage or old novelty poster lettering. Its unevenness adds personality and a lightly comedic energy, giving lines of text a restless, animated beat.

The design appears intended to deliver a strong, condensed footprint with a deliberately odd, handmade flavor—aiming for immediate impact and memorability rather than neutral readability. Its controlled irregularity suggests a one-off, novelty-minded display tool for playful branding and expressive titling.

In the sample text, the dense silhouette creates strong word shapes and a dark typographic color, while the irregular details become more apparent as size increases. The design’s quirks are consistent enough to feel intentional rather than distressed, but it still prioritizes character over refinement.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸