Sans Superellipse Udben 9 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Burger Honren' by IRF Lab Studio, 'Cairoli Classic' and 'Cairoli Now' by Italiantype, 'Final Edition JNL' by Jeff Levine, 'Hype vol 3' by Positype, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, industrial, confident, dynamic, compact impact, speed cue, modern utility, headline focus, brand punch, condensed, oblique, rounded, chunky, compact.
A condensed, heavy oblique sans with compact proportions and smoothly rounded corners throughout. Strokes stay largely uniform, with softened terminals and squarish counters that lean toward rounded-rectangle construction, giving curves a controlled, engineered feel rather than a calligraphic one. The slant is consistent across cases and figures, and the rhythm is tight with sturdy verticals, narrow apertures, and dense spacing that reads as a cohesive block in text. Numerals share the same compact, rounded geometry and strong color, supporting a consistent set for headlines and display use.
This font performs best in display sizes where its condensed width and heavy weight can deliver strong emphasis without consuming too much horizontal space. It suits headlines, posters, sports and fitness branding, bold packaging panels, and attention-grabbing signage where a dynamic, forward-leaning voice is desirable.
The overall tone is fast, assertive, and contemporary, with a slightly industrial edge. Its forward lean and dense texture suggest motion and efficiency, making it feel well suited to performance-driven or high-impact messaging.
The design appears intended to provide maximum impact in a compact footprint, combining a consistent oblique stance with rounded-rectilinear construction for a modern, engineered look. It prioritizes strong silhouette and repeatable geometry to keep text blocks energetic and cohesive.
Round forms (like O/Q and 0/8/9) read as rounded boxes rather than pure circles, reinforcing the structured, technical character. The lowercase shows simplified, sturdy shapes with minimal detailing, prioritizing impact and uniformity over delicate nuance.