Sans Superellipse Fedif 5 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' by Bülent Yüksel, 'Broadside' by Device, 'HD Colton' by HyperDeluxe, 'Neusa Neu' by Inhouse Type, 'Chandler Mountain' by Mega Type, 'Aago' by Positype, and 'Jesaya' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, sportswear, branding, packaging, sporty, assertive, modern, dynamic, industrial, impact, speed, space-saving, modernity, condensed, oblique, geometric, rounded, compact.
A compact, condensed sans with a strong rightward slant and heavy, even stroke weight. Letterforms are built from rounded-rectangle and superellipse-like curves, producing broad, smooth corners and tight interior counters. Terminals are mostly straight or subtly sheared to match the oblique angle, with sturdy verticals and simplified joins that keep shapes clean at bold sizes. The overall rhythm is dense and energetic, with consistent widths and a slightly mechanical, engineered feel across caps, lowercase, and numerals.
Best suited to short, high-impact typography such as headlines, posters, event graphics, and brand marks where a condensed, slanted bold sans can signal speed and intensity. It can also work well on packaging and apparel-style graphics, especially when space is limited and a dense, punchy texture is desired.
The tone is fast, forceful, and contemporary, suggesting speed and momentum through its oblique posture and compressed proportions. Its rounded geometry softens the impact just enough to feel approachable, while the heavy black weight keeps the voice confident and attention-grabbing.
The design appears intended to deliver maximum visual impact in a narrow footprint while maintaining smooth, rounded geometry. Its superelliptical curves and strong oblique stance suggest a focus on energetic display typography for modern commercial and athletic-oriented contexts.
In the sample text, the combination of tight spacing and thick strokes creates a strong headline presence; the italic angle noticeably drives horizontal flow. Round characters like O and 0 read as squarish-oval forms, reinforcing the superelliptical construction, while diagonals (V, W, X, Y) appear muscular and stable. Numerals are bold and compact, suited to display settings where clarity at large sizes matters more than fine detail.