Sans Faceted Rymo 6 is a bold, very wide, low contrast, italic, normal x-height font visually similar to 'Bantat' by Jipatype (names referenced only for comparison).
Keywords: headlines, logos, sports branding, gaming ui, tech posters, futuristic, technical, aggressive, sporty, industrial, sci-fi styling, motion emphasis, tech branding, display impact, mechanical feel, angular, faceted, octagonal, slanted, compact.
A sharply faceted sans with chamfered corners and polygonal bowls that replace curves with planar cuts. Strokes are heavy and uniform, with a consistent rightward slant and wide, horizontal proportions that create a fast, stretched silhouette. Counters in letters like O, Q, and 8 read as octagonal/rounded-rect forms, while terminals tend to end in blunt, angled cuts rather than rounded or tapered finishes. The overall rhythm is tight and mechanical, with squared geometry and crisp internal angles staying consistent across uppercase, lowercase, and numerals.
Best suited to display settings where its faceted geometry can be appreciated: esports and sports identities, sci‑fi or tech-themed posters, product marks, packaging callouts, and UI titles for games or hardware dashboards. It can also work for short, high-impact captions where a fast, engineered tone is desired.
The font communicates speed and engineered precision, leaning into a sci‑fi and motorsport tone rather than a neutral everyday voice. Its hard edges and slanted stance give it an assertive, action-oriented feel that reads as modern and performance-driven.
The design appears intended to deliver a streamlined, futuristic sans that evokes machined surfaces and motion. By translating curves into consistent facets and maintaining a strong slant, it prioritizes impact and a performance aesthetic over quiet neutrality.
Distinctive cut-ins and notches (notably in shapes like S, G, and several numerals) add a technical, machined character, and the angular construction keeps counters open enough to hold together in display sizes. The slant is strong enough to suggest motion, so long passages feel more like a headline texture than body copy.