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Free for Commercial Use

Sans Contrasted Abso 5 is a light, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, magazines, branding, posters, packaging, editorial, luxury, fashion, refined, modern, display elegance, editorial voice, premium branding, modern refinement, hairline, crisp, elegant, sculpted, calligraphic.


Free for commercial use
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This typeface uses razor-thin hairlines paired with robust verticals to create a sharply sculpted, high-drama rhythm. Curves are smooth and controlled, with tapered terminals and minimal, nearly invisible finishing that keeps the silhouettes clean while still feeling drawn rather than purely geometric. Proportions are generally narrow-to-moderate with generous counters, and the alphabet shows noticeable width variation between glyphs, enhancing an elegant, editorial cadence. Numerals follow the same contrast model, with delicate joins and a refined, display-oriented presence.

Best suited to display contexts such as magazine headlines, fashion and beauty branding, poster titles, and premium packaging where the contrast and hairlines can be appreciated. It can work for short subheads or pull quotes when set large with comfortable spacing, but it is most convincing when given room to breathe.

The overall tone is polished and aspirational, with a couture/editorial feel that reads as premium and carefully art-directed. Its delicate hairlines and crisp transitions communicate sophistication and restraint, lending a poised, gallery-like quietness even at large sizes.

The font appears intended to deliver a sleek, modern contrasted voice that feels luxurious and editorial. The design choices prioritize dramatic stroke modulation and elegant letterforms for high-impact typography in curated layouts.

At text sizes, the extreme thin strokes can visually recede, while at larger sizes the fine details and stroke modulation become a defining feature. The design favors smooth, continuous curves and clean apertures, producing a contemporary look with subtle classical influence in the shaping.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸