Sans Contrasted Legen 3 is a regular weight, normal width, medium contrast, italic, tall x-height font visually similar to 'Antipol' and 'Antipol VF' by phospho (names referenced only for comparison).
Keywords: editorial, branding, magazines, interfaces, packaging, modern, sleek, energetic, airy, italic voice, modern clarity, expressive utility, editorial texture, oblique, humanist, open forms, rounded terminals, calligraphic stress.
A slanted sans with softly rounded curves and clearly modulated strokes that suggest a gentle calligraphic stress rather than monoline construction. Counters are open and generous, with smooth joins and subtly tapered terminals that keep forms clean while avoiding mechanical rigidity. Proportions feel tall and streamlined, with compact lowercase ascenders/descenders relative to the large x-height and an overall rhythm that reads light on the page. Numerals follow the same oblique, slightly tapered logic, maintaining consistent color and spacing in running text.
This font suits editorial typography such as magazine decks, pull quotes, and subheads where a refined italic voice is desired without switching to a serif. Its open shapes and steady rhythm also make it suitable for UI accents, navigation labels, and brand systems that need a modern, fast-moving tone. It can work well for packaging and lifestyle communications where a clean sans with added character helps differentiate the typographic palette.
The overall tone is contemporary and fluid, combining a crisp, professional look with a sense of motion from the consistent slant and tapered stroke endings. It feels confident and editorial, with an understated elegance that can read both friendly and technical depending on layout and spacing.
The design appears intended to offer an italic-led sans that stays highly legible while adding sophistication through controlled contrast and tapered detailing. It aims to bridge functional clarity with a more expressive, editorial texture for contemporary branding and text-forward layouts.
Letterforms lean on rounded bowls and open apertures to preserve clarity at smaller sizes, while the diagonal stress and tapering add texture in larger settings. The italic construction is primary rather than a simple slant, giving the text a more drawn, dynamic character.