Slab Contrasted Sesi 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Oso Serif' by Adobe, 'Galactic' by BA Graphics, 'Beton EF' by Elsner+Flake, 'Malaga' by Emigre, 'Best Bet JNL' by Jeff Levine, 'Beton' by Linotype, 'Polyphonic' by Monotype, 'Beton SH' by Scangraphic Digital Type Collection, and 'Beton' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, western, poster, athletic, vintage, assertive, impact, heritage, display, blocky, bracketed, high-impact, sturdy, ink-trap-like.
A heavy, slab-serif display face with compact, blocky forms and strongly bracketed slabs. Strokes show noticeable modulation, with rounded shoulders and softened joins that keep the mass from feeling rigid. Counters are relatively small and openings are somewhat tight, creating dense, high-ink silhouettes, while terminals often end in broad, squared slabs. The overall construction reads as sturdy and slightly compressed in feel, with consistent, energetic rhythm across capitals, lowercase, and numerals.
Best suited to headlines, posters, and branding where a dense, high-contrast slab voice is needed. It performs well for packaging, labels, and signage that benefits from a rugged, vintage display look, and it can add character to short subheads or pull quotes when set with generous spacing.
The tone is bold and declarative, mixing a vintage, workwear sensibility with a hint of Western or varsity signage. It feels confident and attention-grabbing rather than refined, with a friendly robustness that suits headlines and emphatic statements.
The design appears intended to deliver maximum impact with a classic slab-serif backbone, combining sturdy letterforms with softened transitions and visible modulation for a more crafted, heritage-inflected display personality.
The lowercase shows pronounced weight and compact apertures, helping text hold together into strong blocks at larger sizes. Numerals are similarly heavy and sign-like, aligning well with the all-caps presence for titling and set-piece figures.