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Free for Commercial Use

Solid Otja 3 is a very bold, narrow, low contrast, reverse italic, normal x-height font visually similar to 'Bratsy Script' by Figuree Studio and 'New Roshelyn Script' by Get Studio (names referenced only for comparison).

Keywords: posters, headlines, logos, stickers, album art, playful, chunky, cartoonish, graffiti, rowdy, maximum impact, iconic shapes, playful disruption, texture-first, blobby, irregular, bulky, soft-edged, mask-like.


Free for commercial use
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This font is built from dense, compact silhouettes with heavily simplified letterforms and no interior counters, creating solid, inked shapes. Curves and corners are both present, but edges tend to feel soft and swollen, with occasional faceted cuts that introduce a rough, handmade rhythm. The overall texture is lumpy and uneven, with inconsistent widths and protrusions that give each character a slightly different footprint. In text, letters crowd together into a continuous black mass, producing a strong, poster-like band of color rather than conventional typographic clarity.

Best suited for short, high-impact settings such as posters, headline treatments, logo marks, and merchandise-style graphics where shape and mass carry the message. It can also work for playful packaging or event promos where legibility can be secondary to visual punch.

The tone is loud and mischievous, reading more like cutout shapes or cartoon blobs than traditional type. It suggests street-sign energy and playful disruption, emphasizing attitude and impact over refinement. The solid, counterless construction adds a bold, slightly clandestine feel—like masked lettering meant to be seen at a glance.

The design appears intended to maximize black coverage and graphic presence through counterless, blobby silhouettes, turning letterforms into bold icons. Its irregular, hand-cut feel suggests a deliberate move away from typographic neutrality toward expressive, attention-grabbing display usage.

Because counters are collapsed, character recognition relies on outer silhouettes; similar shapes can merge visually at smaller sizes or tight spacing. The design’s irregular outlines create a lively patterning in headlines, but it will appear intentionally opaque and cryptic in longer passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸