Sans Superellipse Akry 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Protrakt Variable' by Arkitype, 'Military Jr34' by Casloop Studio, and 'Moldr' and 'Moldr Thai' by Deltatype (names referenced only for comparison).
Keywords: ui labels, signage, headlines, packaging, posters, techy, utilitarian, modern, industrial, sporty, geometric clarity, technical voice, systematic consistency, modern branding, squared-round, modular, compact, sturdy, clean.
A squared-round sans built from rounded-rectangle and superellipse-like curves, with flat terminals and consistently softened corners. Strokes are even and sturdy, creating a compact, mechanical rhythm with clear verticals and minimal taper. Counters tend toward rounded rectangles (notably in O, D, 0, and 8), and the lowercase shows a single-storey a with a squared bowl, a compact g with a simplified loop, and a short-tailed y. Numerals are boxy and engineered, with a squared 0 and angular 2/7 forms that maintain the same rounded-corner logic as the letters.
It suits UI and product labeling, dashboards, wayfinding, and other contexts where a compact, geometric voice is desirable. It also works well for headlines and branding that want an industrial or tech-forward feel, especially at display sizes where the squared-round details are most legible.
The overall tone feels technical and purposeful, like interface labeling or equipment markings. Its geometry reads contemporary and engineered rather than friendly or calligraphic, projecting efficiency and control.
The font appears intended to translate a superelliptical, rounded-rectangle geometry into a practical sans for contemporary digital and industrial contexts. Its uniform stroke behavior and modular curves prioritize consistency, clarity, and a distinctly engineered personality.
The design language stays highly consistent across caps, lowercase, and figures, emphasizing rounded corners over fully circular forms. The sample text suggests the face holds its shape well in large, bold-looking settings, with dense silhouettes and clear character separation driven by the rectangular counters.