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Free for Commercial Use

Sans Normal Nuben 16 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'BR Shape' by Brink; 'Aspira' by Durotype; and 'Avenir Next Arabic', 'Avenir Next Cyrillic', 'Avenir Next Georgian', 'Avenir Next Hebrew', 'Avenir Next Thai', and 'Avenir Next World' by Linotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, modern, chunky, impact, approachability, clarity, brand voice, legibility, rounded, soft corners, geometric, compact joins, large counters.


Free for commercial use
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This typeface is built from heavy, rounded forms with smooth curves and softly blunted terminals. The lettershapes lean geometric, with circular bowls, generous inner counters, and a consistent, even stroke that keeps the silhouettes solid and readable. Corners are subtly eased rather than sharp, and the overall rhythm is broad and stable, producing strong word shapes in both uppercase and lowercase. Figures match the weight and presence of the letters, with similarly rounded geometry and simple, sturdy construction.

It performs best in display contexts where impact and friendliness are priorities—headlines, posters, packaging, and bold brand statements. The sturdy shapes and open counters also suit short UI labels, signage, and social graphics where quick recognition matters more than delicate detail.

The overall tone is upbeat and approachable, combining a big visual voice with soft, friendly curves. It reads as contemporary and informal, projecting confidence without feeling rigid or technical. The rounded shapes add a playful warmth that suits cheerful, attention-getting typography.

The design appears intended as a high-impact, approachable sans that balances geometric clarity with softened edges. It aims to deliver strong presence and legibility while maintaining an inviting, contemporary personality for brand-forward communication.

The heavy weight and rounded modeling create strong ink traps of negative space at joins, which helps keep interiors open at display sizes. Uppercase forms feel particularly monumental, while lowercase maintains a simple, single-story, geometric feel that keeps the texture lively and casual.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸