Sans Superellipse Idboh 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Meta Headline' by FontFont, 'Whitney' by Hoefler & Co., 'Morandi' by Monotype, 'Akwe Pro' by ROHH, and 'Amsi Pro' and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, playful, impact, approachability, modernity, clarity, rounded, blocky, compact, geometric, high impact.
A heavy, geometric sans with broad, rounded-rectangle (superellipse-like) curves and firm, squared terminals. Curves are smooth and full, counters are relatively tight, and joins stay clean and uncomplicated, giving the letterforms a dense, compact color on the page. Overall proportions feel sturdy and slightly condensed in their internal space, with consistent stroke weight and minimal modulation that keeps shapes crisp at display sizes.
Best suited to short, high-impact settings such as headlines, posters, signage, packaging, and bold brand marks where dense shapes and rounded geometry can do the work. It can also support UI or label-style emphasis in larger sizes, especially when a friendly but authoritative voice is needed.
The tone is bold and approachable, balancing a friendly roundness with a no-nonsense, poster-like solidity. It reads as contemporary and energetic, with a slightly playful, retro-leaning heft that grabs attention without looking ornamental.
Likely designed to deliver maximum visual punch with a modern geometric feel, using superellipse-based curves and squared terminals to create a distinctive, compact silhouette. The emphasis appears to be on immediacy, consistency, and recognizable shapes for display typography.
Round letters like O/C/G show a distinctly squarish roundness, while straight-sided forms (E/F/T/L) emphasize flat, even edges and blunt endings. The lowercase maintains the same chunky construction, and the numerals appear built for clarity and impact rather than fine detail.