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Free for Commercial Use

Sans Other Obty 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Bike Tag JNL' by Jeff Levine (names referenced only for comparison).

Keywords: headlines, posters, logotypes, game ui, packaging, techno, arcade, industrial, sci‑fi, utility, impact, tech aesthetic, modular system, display clarity, graphic texture, geometric, angular, squared, chamfered, stencil‑like.


Free for commercial use
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A compact, geometric sans with heavy, monoline strokes and aggressively squared construction. Curves are largely replaced by straight segments and right angles, with frequent chamfered corners that create a cut, mechanical silhouette. Counters tend to be boxy and often small, producing dense black shapes; interior spaces read as rectangular apertures rather than smooth bowls. The rhythm is strongly modular, with consistent verticals and horizontals and occasional diagonal cuts in letters like K, R, V, W, X, and Y that reinforce a faceted, engineered feel.

Best suited for display contexts where impact and a technical voice are desired, such as headlines, posters, titles, and branding marks. It can also work well for game interfaces, sci‑fi themed graphics, and industrial or tech packaging where a blocky, engineered texture supports the message. For longer text, larger sizes and generous spacing help preserve character differentiation.

The overall tone is assertive and technical, with a retro-digital/arcade edge. Its blocky geometry and tight counters suggest machinery, signage, and pixel-adjacent display aesthetics, projecting a confident, no-nonsense voice. The sharp chamfers add a subtly aggressive, futuristic character without becoming decorative.

The design appears intended to deliver a bold, modular sans that feels machine-built: squared bowls, cut corners, and tight apertures create a cohesive techno/arcade identity. Its consistent stroke thickness and geometric reductions prioritize a strong silhouette and graphic presence over conventional text softness.

At smaller sizes the compact counters and dense weight can cause letters to visually merge, while at larger sizes the modular details and chamfers become a defining texture. Numerals follow the same squared logic, giving sets a consistent, system-like appearance. The font’s strong rectangular metrics and repeated angles create a distinctive patterned color in text blocks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸