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Free for Commercial Use

Serif Other Urte 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'OL Signpainter Titling' by Dennis Ortiz-Lopez, 'Emeritus' by District, 'Campan' and 'Epoca Pro' by Hoftype, 'Malino' by Lafontype, 'Malebu' by Macrotipo, 'Accia Flare' by Mint Type, and 'NS Philapost' by Novi Souldado (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, signage, gothic, heraldic, old-world, authoritative, dramatic, historical flavor, display impact, heraldic tone, carved aesthetic, blackletter-influenced, angular, beveled, chamfered, incised.


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This typeface features a heavy, compact build with angular, chamfered contours and crisp, faceted terminals that read like cut stone or metal. Serifs are sharp and triangular with frequent notches and wedge-like endings, while bowls and counters are often polygonal (notably in round forms such as O and 0). Strokes are largely monolinear in feel, with subtle internal shaping and occasional spur details that give characters a carved, ornamental finish. The rhythm is tight and emphatic, with strong verticals and squared-off joins that keep word shapes dense and highly graphic.

Best suited to short, high-impact settings such as headlines, posters, brand marks, labels, and display signage where its angular detailing can read clearly. It works well when a historical, ceremonial, or institutional flavor is desired, and is less appropriate for long passages at small sizes due to its dense color and ornamental terminals.

The overall tone is traditional and ceremonial, evoking Gothic signage, heraldic lettering, and old-world print aesthetics. Its aggressive angles and hard edges convey authority and drama, making it feel assertive and historical rather than casual or contemporary.

The design appears intended as a display serif with blackletter and inscriptional influences, prioritizing a bold, carved aesthetic and strong silhouette. Its consistent faceting and wedge terminals suggest a deliberate aim toward historic, emblematic typography for impactful titling.

Uppercase forms are especially architectural and emblem-like, while the lowercase retains the same chiseled logic with compact apertures and sturdy stems. Numerals follow the same faceted construction, with the 0 rendered as a distinctly octagonal form, reinforcing a consistent carved motif across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸