Sans Superellipse Jeze 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Morgan Poster' by Feliciano, 'First Prize' by Letterhead Studio-VG, 'Boppa Delux' by Patricia Lillie, and 'Huberica' by The Native Saint Club (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, industrial, techno, retro, poster, high impact, geometric consistency, retro tech, geometric, blocky, rounded corners, rectilinear, compact counters.
A heavy, geometric sans built from rounded-rectangle forms, with squared-off curves and softened corners throughout. Strokes are monoline and firmly constructed, favoring straight segments, stepped joins, and flat terminals over continuous curves. Counters are compact and often rectangular, giving letters a tight, mechanical rhythm; rounded shapes like O and Q read as squarish superellipses. The lowercase mirrors the uppercase’s structure, with sturdy stems and minimal modulation, while figures are similarly chunky and grid-like for strong visual alignment.
Best suited to display typography such as posters, headlines, product branding, packaging, and short-form signage where impact and a constructed look are desirable. It also works well for tech-leaning visuals, game or sci-fi themed graphics, and logotypes that benefit from compact, block-based letterforms.
The overall tone is assertive and engineered, mixing a utilitarian industrial feel with a retro-futurist, arcade-like edge. Its rounded corners keep the weight from feeling harsh, but the tight apertures and rectilinear geometry still communicate toughness and control.
This font appears designed to deliver maximum impact through simplified, repeatable geometry—rounded rectangles, compact counters, and flat terminals—creating a robust display face with a distinctly technical, retro-industrial character.
The design prioritizes silhouette strength and repeatable geometry, which makes word shapes feel modular and consistent. At smaller sizes the dense counters and narrow openings may reduce clarity, but at display sizes the bold forms and squared curves become a defining stylistic feature.