Sans Superellipse Abrir 11 is a regular weight, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Neuron Angled' by Corradine Fonts, 'CamingoCode' and 'CamingoMono' by Jan Fromm, and 'Adelle Mono' by TypeTogether (names referenced only for comparison).
Keywords: code, terminal ui, data tables, technical docs, labels, technical, utilitarian, modern, clean, retro digital, grid alignment, screen readability, system styling, friendly technical, rounded corners, square-leaning, compact, sturdy, crisp.
A monospaced sans with a squared skeleton softened by rounded corners, producing superellipse-like bowls and counters. Strokes are even and sturdy, with compact proportions and a consistent cell-fit rhythm that keeps each glyph visually centered. Curves tend to resolve into flattened arcs rather than fully circular forms, and terminals are predominantly blunt, giving the letters a tidy, engineered finish. The lowercase maintains simple, legible shapes (single-storey a and g), while punctuation and figures follow the same squared, uniform-width logic for stable alignment.
Well suited to code editors, terminal and console interfaces, and any layout that benefits from strict column alignment such as tables, logs, and configuration views. It also works for technical documentation, UI labeling, and compact headings where a structured, system-oriented voice is desired.
The overall tone feels technical and pragmatic, with a subtle retro-computing flavor. Its rounded-square geometry reads as friendly but no-nonsense, suggesting systems, tools, and interfaces rather than expressive or calligraphic typography.
The font appears designed to balance strict monospaced functionality with a softened geometric voice. By combining squared construction with rounded-corner detailing, it aims to remain highly systematic and legible while feeling approachable in everyday on-screen use.
The design emphasizes predictable spacing and strong silhouette differentiation, which helps scanning in dense blocks of text. Rounded corners reduce harshness without sacrificing the structured, grid-like character typical of monospaced designs.